Whittling away at the Mending Pile!

During MeMadeMay this year, one of my goals was to work on the pile of mending in my sewing room and decide whether to fix and wear or give away all the items languishing there. I got a few pieces done during May, and have been able to get a couple more back into the wardrobe this month. 

I made a quick repair of a red linen blouse -- the Ruffle Sleeve Top by In the Folds for Peppermint Magazine. This has been in the mending stack for a while, and yet the mending only took about 15 minutes. I had a small hole on the seam of the interior facing to stitch up, to start. And I had finished the edges of the facing by turning under and stitching, but with this very lightweight linen, I didn't like it -- it added bulk across the edge of the facing that could be seen as a line from the outside. 

So I made a line of straight stitch about 1/2" above the original edge, added a line of narrow zigzag just beside it, and trimmed off the original clunky hem with my pinking shears. I figure that one of those will keep it from fraying! And now it looks so much better that I've already worn it this week. 

The second project was another thing I've been putting off because it felt like so much work...but it really wasn't much! I made this rayon Burda in 2021 but after a few wears I felt that the elastic waist casing was starting to go.

It was still wearable but didn't feel too reliable. This pattern used the technique where you stitch together the seam allowances of the waist seam and use that for the casing, but with a lightweight rayon like this I find that unless you have a large seam allowance it starts to fray and pull out. So I trimmed the fraying edge, pressed the remaining seam allowance flat, and stitched a wide bias binding strip over the waistline seam. 

I then threaded elastic back in to the new casing and stitched the hole closed. Now it feels secure and sits nicely at the waist, and I won't have to worry about the elastic popping out anytime soon! 

I have a couple more blouse hems and sleeves to work on, as well as a few skirts. They are all minor fixes but are all necessary to make the items wearable again. I hope to keep working away at the pile and catch up through the summer. We'll see how it goes! 

Cover Designs! #31: In Honor

 

Cover Designs is a feature in which I try to match up the outfit on a book cover with a dress pattern and sometimes even potential fabric matches as well. Today's pick is a YA novel that would be a good summer read -- it's by Jessi Kirby, titled In Honor. 

Summary from the Publisher:

Honor receives her brother’s last letter from Iraq three days after learning that he died, and opens it the day his fellow Marines lay the flag over his casket. Its contents are a complete shock: concert tickets to see Kyra Kelly, her favorite pop star and Finn’s celebrity crush. In his letter, he jokingly charged Honor with the task of telling Kyra Kelly that he was in love with her.

Grief-stricken and determined to grant Finn’s last request, she rushes to leave immediately. But she only gets as far as the driveway before running into Rusty, Finn’s best friend since third grade and his polar opposite. She hasn’t seen him in ages, thanks to a falling out between the two guys, but Rusty is much the same as Honor remembers him: arrogant, stubborn . . . and ruggedly good-looking. Neither one is what the other would ever look for in a road trip partner, but the two of them set off together, on a voyage that makes sense only because it doesn’t. Along the way, they find small and sometimes surprising ways to ease their shared loss and honor Finn--but when shocking truths are revealed at the end of the road, will either of them be able to cope with the consequences?

This is a funky summer outfit, and there are two dresses that spring to mind, although I'm sure there are plenty of patterns in this style out there. 

The first choice would be the Sew Over It Rosie Dress (on sale today only, too). This has the perfect shape for a knock-off of this cover, including the cute accent at the neckline. 

A fabric like this might give a close match! 

Viscose Abstract Dot from Fabricville

If you wanted to highlight the tinge of red in the cover dress a little more forcefully, this bright print would make a great summer dress, too.

Art Deco Petals from FabricsGalore

The next option might be a vintage reprint. McCalls 7599, View A (leaving out the petticoat) would give a very similar result to this cover image. 

And of course to top off this look, you'd need to find some slouchy red cowboy boots! These Jessica Simpson boots at Poshmark were the closest version I could find, but red velvety ones would give an even closer match! 

Whatever you wear in the sunshine this summer, I hope you enjoy it - and all your summer reading too.

Weekend Review: The Missing Pieces of Nancy Moon

 

The Missing Pieces of Nancy Moon / Sarah Steele
London: Headline, c2020.
416 p.

This is a typical kind of British family saga, in that there are multiple generations involved, family secrets, and a young woman at the heart of it all. But it's also particularly fascinating since it includes two women who are fashion sewists, lots of talk of dresses, fabrics and vintage sewing -- the structure of the book depends on it. 

As the book begins, Flo is at her grandmother's funeral. She was mostly raised by her gentle grandparents, so this is particularly wrenching for her. Also, her marriage is cracking up due to a miscarriage she had in the last year. All the sorrow is getting to be too much for her. 

She decides to stay at her grandmother's house after the funeral for some alone time, and wandering about, looking for an old sewing machine she knows must be there somewhere (Flo is one of the sewists in the book) she stumbles across a box of vintage patterns in her grandmother's bedroom closet. Flo has never seen it before, and as she opens it, she discovers a seamstress named Nancy - who is unknown to her. 

Nancy is from her grandmother's generation; the reader certainly knows a lot more about Nancy Moon than Flo does. It's a long trek for her to find out more, and that is what the book is all about. Flo's husband goes to American for a teaching gig, leaving her at loose ends; with the encouragement of her friend Jem, she decides to travel across Europe, following Nancy's path as much as she can from what she can decipher from the sewing patterns, which have postcards, ticket stubs and fabric tucked into the envelopes. She also decides she is going to duplicate the dresses that Nancy made so that she can wear them on her trip. 

While we don't see or hear much about Flo's process of making the dresses (pretty quickly I'd say) we do follow her to Paris, and then to Venice and beyond, as she tries to replicate Nancy's movements and research where and what and why. Each section, based on a location, moves back and forth between Flo's era and Nancy's, and we get to engage with both of them and their varied experience in different decades. It's also interesting to read it this way, as the reader can follow Flo's investigations and see whether she's on the right track or not. 

I enjoyed the descriptions of the dresses that open some of the chapters, and the discussion of style and fabrics and individuals who are highlighted because of the statements they make with their wardrobe choices. The author has included a gallery on her website that shows all the vintage covers of the patterns she discusses in the book, if you want a good look at the outfits that both Nancy and Flo are making. 

There a few moments in this book in which coincidences strain credulity, but overall it was an engaging read with some good character development. And the settings are also quite lovely to read about! If you like books about family secrets and sewing, I'd definitely recommend you give this one a try. 

When Refashions Go Wrong

Way back in the spring, PatternReview was running its Sewing Bee challenge. I made it to Round 2 on the strength of my first project, a Knit Dress With A Twist. 

The challenge for Round 2 was Collars. I have lots of collars that are interesting, and lots of things I've always wanted to try. I decided to try to make a Book Dress with a Chelsea Collar that would be multi-layered to look like book pages. Well, great idea but not so great in the execution. 

I used Simplicity 7238, a Christie Brinkley pattern from 1991. I had some good base fabric for the dress -- an old sheet, which had tones and shapes that reminded me of old book bindings. So far so good. Then I tried to create layers of sheers as "pages". So many problems! 

First off, the Chelsea collar wasn't the right choice for this concept - there was too much collar, and the sheers that I had in my stash just weren't stiff enough. I sprayed them all with spray starch and pressed but still not enough body to have the effect I wanted. Also, I caught Covid right at the beginning of collar week so was way too exhausted to do anything that might have added to the effect, like adding a text underlay, stitching with wire edges etc. I gave up and just got done what I had started so I had an entry. 

But I didn't like very much, I felt that it really didn't work for me. I put it aside thinking that maybe I could take off the sheer layers and make the dress actually wearable. I finally got to the refashion this month, and removed the sheer bits, sewing the plain collar back on. I like it much better, and think it could be wearable. But not, alas, by me. 

I don't like the shape of this dress, or the collar, or the fabric colours (why did I think I would like these colours on me?). It doesn't have any drape, and the whole outfit is just a big fail, refashion or not! 

However, the fabric is very interesting in its own right, so I'll be unpicking the zip to go back in the stash, and cutting up the dress to put into my art quilt scrap box. I can see it making a great background for something :) The joys of having non-garment sewing possibilities! 

This project was another reminder that the things I make for challenges or contests that don't already fit in with my wardrobe plans and/or colour-pattern preferences are rarely successful. I will be able to reuse this fabric, but will never get all the time back that I sunk into the project. Have you had projects like this too? I have to remind myself to be more conscious about what I'm choosing to make, in many different ways. 

Weekend Review: Stitch Your Story

 

Stitch Your Story / Sarah Fielke
Louisville, CO: Lucky Spool, c2019.
144 p.

This is the most recent publication in my recent string of alphabet quilting guides, and I think it has squeaked into top position as my favourite of the three. This is mostly because there is more in it than just paper piecing/improv piecing -- both of which were the focus of previous reads, but there are a couple of techniques that are more likely for me to actually do in this book.

I enjoyed the variety in this book. It's a little longer than the others, and has some interesting projects included. The first three sections are based on gridwork; the letters are put together in squares, half-square triangles, and a couple of other more angular blocks too, depending on the letter and style. It's an interesting way to think of creating text, and the three options show how different the choices are using much the same technique. Section 5 is kind of a follow-on to these options, being an improv piecing technique that is freer than the grids but gives a similar effect.

Section 4 discusses needle-turn applique, which allows you to have more rounded letters and a cursive effect. It's definitely something that interests me, but I think you have to like applique to use this more than for just a few letters! I'm not so great at it but perhaps could improve with practice. But the best idea, for me anyhow, was the use of bias tape to make a cursive word across a background. She suggests prepared fusible bias tape for the easiest use, but of course you can also make your own and stick it down yourself. 

I really like this style of lettering. Because it's bias, it's flexible and able to be arranged into flowing shapes. In the section featuring bias, the instructions are clear, with diagrams, to show you the best places to fold, overlap, or otherwise shape your letters in bias tape. You can use purchased bias tape or of course use your own in any print or colour you want. I have varied sizes of bias tape makers so could easily give this one a go. Since I love handwriting and cursive, this technique jumps out at me as something I'd really like to try out.

All of the sections are clear in their instructions, and the photos in this book are bright and detailed. Plus there are diagrams and patterns so that you can incorporate these styles of lettering into your quilting easily. I also liked many of the projects in this book. They are not all simply lettering as the main or only element; there are beautiful backgrounds with lettering as one element that blends in nicely, as with the bias tape pillow. There is also some discussion of what words you might want to use and why -- a little bit about the concepts behind a project, which was interesting to think about as well. 

If you're interested in these techniques and ideas, you can check out this book too, it's really good. Or, you can take Sarah Fielke's "Word Play" course on Craftsy, or her Improv Lettering class right on her website. I can see so many ways to add lettering to projects! 

Stash Reshuffled

At the last meeting of my local Garment Guild before the summer break we had a pattern & fabric swap. This necessitated a rummage through my pattern stash to see what I could weed out!

Sorting...

As it turns out, there were only 34 I was willing to part with at the moment 😉

I did get a good look at everything again, however, which is always useful. And it also reminded me that I didn't really need to pick up many more at the swap. But it didn't mean I completely held back! 

I picked up a small piece of striped knit, some lining, & a few patterns. The Folkwear ones were given to me directly by another member of the Guild who knows about my Vyshyvanka project. How thoughtful! I hope to use some of these before too long.

It's great to be able to share sewing supplies with other enthusiasts who you know will enjoy them. Swaps are a great time!

Weekend Review: Word Play Quilts

 

Word Play Quilts / Tonya Ricucci
Bothell, WA : That Patchwork Place, c2010.
64 p.

If you want to piece text into your quilts but are intimidated by paper piecing, this improv piecing style might be just the thing for you. This is a short book, all focused on how to piece letters with improv techniques in order to create "Word Play Quilts". The author uses a lot of her own projects throughout to provide examples of how the techniques work together and the way they look in a finished quilt. Most of her work is heavily text-centric; there is more text than imagery, and the concept is very important. 

If this is your thing, you'd love this book. There is a chart included at the end to show you the order of piecing for each letter so if you're not comfortable free-styling there is still a way into this technique for you. Also, there is a fair bit of instruction on how to choose and blend fabrics to maintain readability (scale, print, colour tone etc) and discussion of reasons to choose text. There are tons of photos of projects but also clear steps and lots of instructional diagrams. And there's discussion of technicalities like managing curves and deciding on size and spacing to make sure your letters work together as words. 

It's not really an 'inspiration' book as much as a workbook of sorts. I don't think this is one I'd leaf through and expect to retain a lot of the detailed instruction. However, as a guide to actually piecing letters, I think it would be fabulous to follow along with as you are actually making your text. It's a practical guide aimed at how to make fabric text, and as such, it really does what it sets out to do. I'd highly recommend it if you want to learn this style of piecing in order to add text to your projects, whether that's a quilt or the back of a jacket ;)