Showing posts with label Cassie Stocks. Show all posts
Showing posts with label Cassie Stocks. Show all posts

Friday, February 2, 2018

Literary Sewing Circle: Interview with Cassie Stocks

This week's Literary Sewing Circle post is a special treat: we are hearing from the author of our readalong title, Dance Gladys Dance! Cassie answered a few questions I put to her about her book, and about sewing and creative life. Hope you will enjoy!




1.     Can you tell us a bit about how you came to write Dance, Gladys, Dance? What was the spark behind this story?

The very first spark came from an actual classified ad I saw for a Hi-fi radio. The last line was “Gladys doesn’t dance anymore, she needs the room to bake.” I was struck by the ad, clipped it from the paper, and kept it for years. I used a version of the ad in the book to answer my question, “Why did Gladys stop dancing?”


2.     You seem to have a lot of compassion for all your characters in this story. How do you write characters who've made -- or are currently making -- bad decisions without sounding judgmental?

The one thing I try not to be is judgmental (in real life or in my writing). We often don’t know the stories behind what seems to be poor choices, or we can know the story but have never felt that pain, or we could have felt the pain but had better support systems. There are a million variables to what seems simply like a bad choice.


3. This story blends humour with the darker, or more serious, themes that the characters face. How difficult is it to do this?

I find humour easier to write. Writing the darker moments takes more out of me. There’s a place in the book where a character dies. It took me days of pacing and muttering before I could actually put it onto paper.


4. Art is really the heart of this story, ranging from painting, crochet, collage, and photography to music and film-making. Do you see a connection between all these forms of creation? Do you have personal experience with many of these forms yourself? 

I’ve tried most of the forms at least briefly (including a very failed attempt at making music with a harmonica). I absolutely see the value in all forms of expression and creation. They’re all an outlet for our joys or frustrations and it is so satisfying to have made something that exists outside of one’s self.



5. You mentioned that you are currently exploring garment sewing as well. How is that going? Have you made anything you love yet?

I made a black linen blend tunic dress that I love. Unfortunately, I skimped on finishing the inside seams and I’ve had to repair it constantly. After that, when I decided I wanted to sew my own clothes, I was determined to ‘do it right’ and read everything I could on sewing. I think I’ve paralyzed myself with information. Before, I’d just cut out the pattern, follow the instructions, and sew it together. Now my brain explodes with, “Will I need to do full bust, swayback, flat bum adjustments?” “Should l I do French seams or Hong Kong finishes?” So many questions…

I also think anyone who sews must have a certain bravery. If I screw up on writing, I’ve wasted nothing but maybe a piece of paper and a bit of my time. If I screw up cutting out a piece of material (say, the ikat silk I bought from Etsy…) I might ruin the material. At this point, the things I see in my head that I want to make are so far above my skill level.


6. There are so many great online sewing communities. Have you explored any of them yet? Or do you have "in real life" sewing friends?

I’m on Pattern Review all the time and I follow some Facebook sewing groups like the Curvy Sewing Collective but I’m just a lurker at this point, sighing over the beautiful things people make.


7. Finally, there are so many threads woven in to this story for readers to explore. What do you hope readers will take away?

I hope that readers, female ones especially, will take the time to make their creations, to dance their dances, to believe in themselves and their talents.


P.S. I think the Literary Sewing Circle is a fabulous idea and I’m so excited to see what people make!

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Thanks to Cassie for taking some time to answer a few of our questions. I hope that it has inspired our readers. 

You can find Cassie online at her website, on Goodreads, or at her twitter account.



If you haven't yet had a chance, you can also check out Cassie's guest post on my book blog, from back when this book was first published. It's a beautiful essay on everyday creativity. 

Is there something particularly intriguing in this set of interview questions? Do you have any thoughts about your reading thus far? Are you starting to plot out a project plan that you'd like to share? 

Friday, January 19, 2018

Literary Sewing Circle, Second Round!


It's time for our second group read for the Literary Sewing Circle!

After much deliberation, I'm happy to announce that this round's title is a contemporary Canadian novel:




BEAUTIFUL old phonograph for sale. 78 record player. Excellent condition. Gladys doesn’t dance anymore. She needs the room to bake. Bring offer. Ph. 254-9885.27-year-old Frieda Zweig is at an impasse. Behind her is a string of failed relationships and half-forgotten ambitions of being a painter; in front of her lies the dreary task of finding a real job and figuring out what “normal” people do with their lives.
Then, a classified ad in the local paper introduces Frieda to Gladys, an elderly woman who long ago gave up on her dreams of being a dancer.
The catch? Gladys is a ghost.

I read this book a few years ago, and really loved it. It won the 2013 Leacock Award for Humour, a Canadian writing award -- while this book isn't slapstick, it does have a sense of fun and not taking itself too seriously despite the serious issues which Stocks discusses. This book is also currently on the longlist for CanadaReads, a week long CBC radio book program which Canadians look forward to each year.

I reviewed this book on my book blog back when I first read it, and was also lucky enough to have the author provide a guest post at that time. She wrote about everyday creativity, in a way that is recognizable to many sewists and crafters. I encourage you to go read it to get a sense of Stocks' approach to art and creativity in her fiction.

About Cassie:

Cassie Stocks was born in Edmonton, Alberta. She’s been a biker chick, a university student, an actress, and a rich man’s gardener; she’s worked as a waitress, an office clerk, an aircraft cleaner, has raised chickens, and has even been the caretaker of a hydroponic pot factory.

In 2013, Cassie became the first woman in 17 years to be awarded the Leacock Medal for humour writing for her first novel Dance, Gladys, Dance. The novel was also nominated for a Saskatchewan First Book Award. Cassie has been named one of “Ten Writers to Watch” by CBC Books.

Cassie lives in Eston, SK, with her son Julian.






This book is available for purchase in both hard copy and ebook formats. 
You can find the ebook at

AllLitUp.ca

Indigo.ca

Amazon.ca

Amazon.com


And the paperback edition at

Indigo.ca

Amazon.ca

Amazon.com

IndieConnect (CA)

IndieBound (US)


Or, of course, your local library!

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How does the Literary Sewing Circle work? We read a book together, discuss it, and then make something inspired by our reading. As long as you can point out what inspired you from your reading, even if just a sentence, you can share your makes in our final roundup! Anyone can join, and you can sew, knit or embroider - anything that you like doing - to participate. This is a reading/sewing circle, very low-key; no prizes or competitions here, just reading and sewing for fun. Join in, and share!


Literary Sewing Circle Schedule

Jan 19 - Announcement & Introduction

Jan 26 - Inspiration post - possible patterns

Feb 2 - Author interview  (potentially)

Feb 9 - Halfway mark: book talk

Feb 16 - Inspiration post

Feb 23 - Final Post: book discussion wrap up & posting of project linkup

(Project Linkup will then be live for 3 weeks for you to come back and post your finished project)


This time around we'll discuss the book any time you wish; put your questions and comments in the comment field on any LSC post (try to avoid spoilers until closer to the end though). We'll have an official discussion post to really dig into things but feel free to talk about your reading at any time!