The patchwork vest workshop I mentioned last week was so much fun!
There were 10 of us there, stitching together for 6 hours while chatting and enjoying. We mostly finished our vests.
The patchwork vest workshop I mentioned last week was so much fun!
There were 10 of us there, stitching together for 6 hours while chatting and enjoying. We mostly finished our vests.
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| Bojagi: the Art of Korean Textiles / Youngmin Lee London: Herbert Press, c2024. 160 p. |
Our Spring 2026 session of the Literary Sewing Circle begins today!
This book is available for purchase in multiple formats.
You can find this title at all of these locations:
Or, of course, check your local library!
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How does the Literary Sewing Circle work? We read a book together, discuss it, and then make something inspired by our reading. As long as you can point out what inspired you from your reading, even if just a sentence, you can share your makes in our final roundup!
Anyone can join, and you can sew, knit, crochet, quilt or embroider - any textile art that you like doing - to participate. This is a reading/sewing circle, very low-key. This round we are lucky to have some sponsors too!
There is no official sign-up to worry about; just start reading along if you wish, and leave your thoughts on the book or your project on any of the Literary Sewing Circle posts. And you can follow along on Instagram too if you like: look for @sewmelwyk and the hashtag #LiterarySewingCircle and you'll find us.
And when the final post goes up on week 6, so does the project linkup -- you can leave a link to your finished project in the comments, whether it is on your blog, a pattern site, or even Instagram. It's easy :)
So, join in, and share!
Literary Sewing Circle Schedule
March 20 - Announcement & Introduction
March 27 - Inspiration post 1
April 3 -Book thoughts
April 10 - Author feature
April 17 - Inspiration post 2
April 24 - Final Post: book discussion wrap up & project linkup
We will have our project linkup live for two weeks after the final post to allow you to finish up and post your projects, which takes us to May 8, when the window to share your projects will close if you want to enter for one of the prizes.
This week I've been preparing some patchwork panels for a quilted vest workshop with my local quilt club. I haven't really made any quilted garments before so thought that this might be a good opportunity to give it a try. I don't have any quilt blocks laying around, since I don't really make quilts so decided to just do a simple patchwork block.
It turned out to be a lot harder/more time-consuming than I'd anticipated! I am working on three panels so that we can cut the pattern to size, connect and bind it in the workshop. One front piece is a whole cloth panel, and I have tried to use the colours from that for the patchwork.
Not sure how I like it so far, but it has been a fun challenge. Maybe when it is complete I'll have a better sense of it. But at least I have tried something new -- that is one of my goals for this year!
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| How to Keep Your Clothes Forever / Leah Giblin Melbourne, Australia: Smith Street Books, c2025 223 p. |
This one is just one piece of a wardrobe pattern, Butterick 6450. It's a nice button up blouse with extended shoulders, light and airy for summer or for wearing under a sweater or jacket. I love the colour of this cotton that I've had in my stash for a long, long time. (still lots of it left, too).
This was a straightforward top, although I had to grade between 16 at shoulder and 18 at hip, and also shorten by an inch above the waistline. Pressing up the curved hem at bottom and the armhole was really the lengthiest part of the whole project!
I stalled for a minute on this one because of the buttons. I hadn't chosen buttons ahead of time, confident that I would have some in my stash of 5 full cookie tins of buttons that would work. I sorted through all of these and could not find the right size and colour to work with this blouse. So I had to put it aside for a bit until I had time to get down to the fabric store and pick some up!
I think this is really cute and love the colour. It's a nice basic that will get a lot of use with a variety of the items already in my wardrobe.
My first Sudoku wardrobe project was the Box Box top by Merchant & Mills. I've had this pattern for over a year and have been wanting to try it so this was the perfect time!
This was one of only two new fabrics in my wardrobe plan. I really wanted the right colour of pink so bought some cotton at my local Fabricland. It's so pretty, though quite lightweight and fairly transparent. I thought a top with front pleats might work well with the fabric.
It was pretty straightforward. The pattern was well designed with lots of markings to help form the pleats. There is also a stitch guide for the "Z" shaped stitching that holds down the pleats. I found that I had to lengthen the pattern -- I added 1.5" to the hem when cutting, but then also ended up giving it a narrow hem to keep as much length as possible. Might add a touch more next time to account for more hem!
Another nice detail of this simple top was the back neckine opening. There is a slit and a button and loop. They give instructions for a rouleau loop to button it up so I thought I'd try it. I can't believe I got my hook loop turner to finally work and got a tiny rouleau that I was very pleased with!
The neckline facing was one more thing I had to fiddle with a bit. This fabric is quite lightweight, so I cut the facings and interfaced them with lightweight fusible - that all worked fine, but when I was testing the position of it I noticed that I could see the white interfacing through the blouse. Ack! But the fabric is too lightweight to have a non-interfaced facing. I couldn't really use binding because of the back slit, either. So I cut another facing and layered it with the existing one, sandwiching the fusible in between. After that, I couldn't see the interfacing from the outside or the inside, which was perfect. And the fabric is so floaty that it didn't add any excess weight either.
I considered using french seams because of the fabric but hadn't accounted for that when I cut it out so just trimmed and pressed the seams to one side and hoped it would be fine. I think it is: I don't notice the seam allowances through the blouse, unless I'm looking for them. And I would be the only one doing that!
It fits really nicely (I made size 14) and the instructions were clear. The only small issues I had with it were down to my fabric choice. But with this colour, I had to do it!