It's so bad I had to wear a dust mask while sewing it. And when I washed and dried it, I had SO MUCH lint to clear out, more than once.
Other than that confession, I do like the final product.
I used the bodice of the Colette Moneta dress, which I've made twice before. This time the fabric doesn't have quite as much stretch, so it is a little snugger than my others (but I like it). I didn't want any gathering on the skirt with this print, so I matched the bodice up with the skirt of Butterick See & Sew 5870, which I've made in bright magenta ponte and really liked.
They went together beautifully. I only had to square up about an inch all around in size differential. And the shape of this skirt really skims the body -- it's perfect for pear figures, I think. I did add pockets (of course) as I always do. This time I just used a cotton broadcloth scrap for my pocket bags, so they won't stretch out. There isn't a lot of vertical stretch in this fabric either, so it all works together.
After figuring out how to fit these two patterns together and cutting, this went together easily. It was a quick sew, with a turn-under-and-stitch hem at sleeve and skirt, and a neckband sewn on. The neckband actually worked fairly well on my first go this time! I used the formula that another blogger shared -- the size of the neckline opening minus 15% equals the band length. It is good enough that I didn't have to redo this one. Success!
The most difficult part of this project was (and is) the fabric. After all that, it is still shedding! I recall why I don't buy cheap poly velour often, and won't be doing it again. But I can still enjoy the beautiful colours of this, and the fit, nonetheless.
|It's so pretty!!|
Have you ever made something that you love and hate equally?