 |
| Cross Stitch / Jazmina Barrera trans. from the Spanish by Christina MacSweeney San Francisco: Two Lines Press, 2023, c2021. 224 p. |
Our narrator, Mila, is now a young mother and a writer whose book on needlework was recently published. But as the story opens, she hears about the drowning death of her old friend Citlali, who along with another friend Dalia, made up a high school triangle of best girlfriends.
Mila's narrative spools back in time, to go back to the beginnings of their friendship, to illuminate how the balance of power shifted between them, and how there were experiences that they kept private from one another even with their strong bonds. Like the author noted in an interview, there is always something that we won't know about another person, no matter how close.
The friendship covers many tumultuous years of adolescence and young adulthood. They face sexual harrasment, abuses, everyday misogyny, as well as the trials and disillusionments of growing into adulthood. At one point, the three plan to meet in Europe (where Citlali is already living) to have a Big Trip together. But it doesn't go quite as planned - Citlali doesn't meet them in England, only making it to Paris later on; Dalia and Mila have different ways of travelling and sightseeing and have to negotiate daily routines. This felt so realistic, how you have to manage these close relationships and can be utterly annoyed with one another even while remaining the same depth of friend.
And through their years of friendship, they all embroidered together. From samplers and unique projects in high school (like Citlali's ambitious goal to embroider an Arachniary of all known spider species) to more complex art based embroideries as they grow up - like Mila's monochrome black on black embroidery meant to emphasize texture - they've always stitched together, despite it being a bit of an outlier hobby.
Barrera includes small sections interspersed with the fictional narrative which detail and reflect on the history of stitching, mainly as it applies to women's lives and whatever is going on in the story. There are mentions of embroidery around the world, and how it appeared both as a language and means of expression whether personally or politically. And what the role of art is, and the relation to stitching. These are facts drawn from embroidery history texts, which the author also shares in a bibliography.
Eventually Mila and Dalia resolve their memories and come together to create a memorial for Citlali in their own neighbourhood, even including Citlali's mostly awful father. The final scene is memorable, and involves Citlali's stitching.
I found this book thoughtful and stylistically engaging. The tone is clear and nostalgic in one sense, though never sentimental. The writing style is natural but also has a poetry to it, with imagery, resonance and the inclusion of other women's words; I appreciated the style of this novel. The way that fiction and fact are interwoven throughout the story was smoothly accomplished, and I felt that it added an extra layer of interest both in subject matter and in style.
The characters are also fascinating. The three girls are different in many ways, but the development of their friendship felt so true to high school dynamics, as did the way they grew apart as they became adults. I think if you read for writing and characters, you will appreciate this book. And, if on top of that you are also a stitcher and appreciate the role of embroidery in women's history, I think you will love this book.
Highly recommend.
You can read more about it, including author interviews and a reader's guide, at the publisher's website if you are interested.
I like to make a few gifts here and there every year. This year I haven't done much, but I always like to collect a few potential ideas! So I thought I'd share a few of the interesting patterns out there that I've found that are pretty quick and easy gift ideas.
There are quite a lot of accessories available for free on the Burda website at the moment. There are a couple of very cute bags which were all in varied Burda issues, but can also be downloaded for free! These range from an adorable crossbody bag to a croissant bag to some denim minipurses (and more).
Cover Designs is a feature in which I try to match up the outfit on a book cover with a dress pattern and sometimes even potential fabric matches as well. Today's pick is a seasonal one: Last Christmas in Paris by Hazel Gaynor and Heather Webb.
Summary from the publisher:
August 1914. England is at war. As Evie Elliott watches her brother, Will, and his best friend, Thomas Harding, depart for the front, she believes—as everyone does—that it will be over by Christmas, when the trio plan to celebrate the holiday among the romantic cafes of Paris.
But as history tells us, it all happened so differently…
Evie and Thomas experience a very different war. Frustrated by life as a privileged young lady, Evie longs to play a greater part in the conflict—but how?—and as Thomas struggles with the unimaginable realities of war he also faces personal battles back home where War Office regulations on press reporting cause trouble at his father’s newspaper business. Through their letters, Evie and Thomas share their greatest hopes and fears—and grow ever fonder from afar. Can love flourish amid the horror of the First World War, or will fate intervene?
Christmas 1968. With failing health, Thomas returns to Paris—a cherished packet of letters in hand—determined to lay to rest the ghosts of his past. But one final letter is waiting for him…
 |
| Dolly Parton Behind the Seams / Dolly Parton New York : Clarkson Potter/Ten Speed, 2023 336 p. |
The cowriters/compilers of the book are Holly George-Warren and Rebecca Seaver (the second is Dolly's niece, who is now in charge of the costume archive). They have drawn together excellent documentation on varied pieces from different stages of Dolly's career, as well as stunning and clear detail photos of many garments.
Sewists and fashion fans alike will be absorbed by this book. Dolly talks about the two local women who sewed for her early on, and started her off on her own style. She's worked with Tony Chase, Bob Mackie, and many more, and each designer gets some airtime in this book alongside examples of their work.
I enjoyed the context given for many of the pieces, and how Dolly states early on that her style was integral to her performance and her personal integrity over the years. When she started to hit it big, executives wanted her to tone it down and move into a more mainstream look, but she refused and stuck to her own sparkly style. It's such a personal brand by now, we can't imagine her another way, but this was long before going your own way was an everyday thing.
Along with all the clothing descriptions and images, there are discussions of her hair - she owns over 200 wigs, and there's an entry from her hairdresser/wig master. And discussions of her work beyond music as well -- so much to learn and such amazing images to peruse. This one gave me hours of entertainment as I looked through the pictures to focus in on some of the details, as well as read all of the truly fascinating documentation from so many voices.
What a fabulous read! It's a bit expensive (I read it via the library) but well worth it if you can afford it. It would make a great gift for any fashion obsessed sewist, I think. If you want to be inspired by a woman who forged her own path, stayed true to herself, and worked with many other women along the way, this is a great pick. So fun!
Everything seemed more dream-like than ever. Valancy didn't know whether she felt happy. Or terrified. Or just plain fool.
Then the lights of Port Lawrence were about them. Valancy felt as if she were surrounded by the gleaming, hungry eyes of hundreds of great, stealthy panthers.
