 |
| Photo by Elin Melaas on Unsplash |
Hello loyal readers! Just a quick announcement that I will be taking a blog break for the month of August.
I may pop up on IG now and again but I'm taking some time away this summer.
I will be back in September with new projects, book reviews, and our Fall Literary Sewing Circle round, late in the month. See you all then!
My latest dress is one I had in mind for a while. I wanted to use a colourful batik in my stash and decided that McCalls 8030 (otherwise known as #JosieMcCalls) was a good pattern for it - I always like a shirtdress!
I cut it at 16/18, and found that it went together quite easily. I decided to make the longer version with the straight hem and standing collar only. I didn't add sleeve bands to this version, either.
What do I think? I like it, but I don't love it yet. I like the fabric, the buttons, the overall shape - but I'm not crazy about the fit. I think I need to do a few adjustments and then will be more satisfied with it. Or perhaps leave it in the magic closet for a bit?? It's a really cheerful, bright fabric, which I love, so I do want to be able to wear it!
 |
| Daddy Dressed Me / Michael Gardner & Ava Gardner illus. by Nadia Fisher NY: Aladdin, c2023. |
This charming picture book is a lot of fun to read, especially if you followed Michael Gardner's original blog about his journey to sew for his daughter Ava.
The storyline is that Ava has been asked to recite a poem at school and is very nervous about it. Daddy agrees to make a very special dress for the occasion. But both of these projects are hard! So they help each other - Ava practices her words while Daddy is sewing, with his help with the hard bits. And she encourages Daddy as he goes through the steps of this challenging new dress.
In the end, Ava wears a beautiful dress and recites her poem perfectly. This is a sweet story of the gentle relationship between these two. And the illustrator has done a fabulous job of capturing the essential charm and all of the sewing details too! I really loved the way that the words Ava is learning are made into bright colourful parts of the text, alongside all the fabric designs and colours there. It really works well and was a satisfying read.
There is a short afterword by Michael Gardner about how and why he began sewing for Ava, and it was a great addition for the adults reading this. Definitely worth searching out this lovely picture book.
I didn't quite finish the project I'm working on quickly enough to be able to share today - but it's just over halfway done! Maybe next week... I'm really enjoying the colour of this fabric and think it will be a fun dress when complete. I have this dress and one more on my July list, and I'd like to be able to complete them. Somehow I always think that life will be a bit slower in the summer like it was when you were a kid and had the whole summer off...that never happens now ;)
I have been listening to some interesting things while sewing, though, and thought I'd share a few in case you're looking for something to keep you busy while you work, too.
There is a series called Textile Talks on Youtube that I really enjoy. It's easy to watch while sewing and inspiring too! They describe it as "Textile Talks features weekly presentations and panel discussions from the International Quilt Museum, Quilt Alliance, Studio Art Quilt Associates, and Surface Design Association.". They interview artists, have themed presentations, and more, all about textile arts. I've just been watching one on text in textiles, something I'm very interested in. There is a huge back catalogue of these talks so you would be able to find many of interest, I'm sure.
I've also been catching up on the podcast Haptic & Hue, which is a very calm, relaxed and informative podcast all about textiles and history - it's just fabulous if you haven't listened before.
For specifically sewing content, I enjoy listening to the Seamwork podcast for a lot on wardrobe planning and style, to Sew Organised Style for features on people in the sewing world including Sew Over 50, and also Stitchery Stories for some embroidery talk! These all keep me company in the sewing room, where I only wish I could spend more time lately ;)
What are some of your favourites?
Cover Designs is a feature in which I try to match up the outfit on a book cover with a dress pattern and sometimes even potential fabric matches as well. Today's pick is Did You Hear About Kitty Karr, by Crystal Smith Paul.
Here's the summary of the story (from publisher):
When silver screen icon Kitty Karr Tate, a white woman, dies and bequeaths her multimillion-dollar estate to the three Black St. John sisters, it prompts questions.
A celebrity in her own right, Elise St. John would rather focus on sorting out Kitty’s affairs than deal with the press. But what she discovers in one of Kitty’s journals rocks her world harder than any other brewing scandal could—and between a cheating fiancé and fallout from a controversial social media post, there are plenty. The truth behind Kitty's ascent to stardom from her beginnings in the Jim Crow South threatens to expose a web of unexpected family ties, debts owed, and debatable crimes that could, with one pull, unravel the all-American fabric of the St. John sisters and those closest to them.
How could we make something similar to this cover image? With a couple of interesting patterns, I think.
That's a classic pencil skirt, and there are two patterns I immediately thought of to make something like this. You might try the Extra Sharp Pencil Skirt by Liesl & Co. It's snug and has some nice panel details, but definitely has the same look as the cover skirt, including back walking slit.
 |
| It Starts with a Square / Cris Wood Beverly, MA: Quarry Books, c2026. 144 p. |
Cris Wood really hit it big online with her Envelope Dress during the pandemic boom in sewing, and has continued to develop new patterns. They are all zero or low waste designs, and there is quite a variety to her stable of patterns. This book incorporates some of those classics as well as new patterns. This is a generous book - there is so much of her work included.
The book has 17 garment projects (!) made entirely from basic squares and rectangles - no closures or premade patterns required. She goes over how to measure your body and translate that into the shapes for each pattern, and there are no really tricky techniques once you've got the measuring and cutting down. There's a section where she talks about how to mix & match the pattern elements to create new pieces, as well, which should appeal to more practiced sewists - it really extends the wardrobe options in the book.
This would be a great book for sewing newbies but it's also inspiring for those of us who have been sewing for a long time. I'm really excited about the possibilities here, and there is even one of her patterns included in this book that I've been meaning to make for ages, so now I will definitely give it a go.
If you've enjoyed her work online, or if you're interested in low-waste sewing in general, don't miss this one. It's an inclusive collection, with lots of images of every pattern, on varied body shapes and sizes, and a great discussion of how this kind of sewing is based on your body, not preset sizing. I think this is one of the most welcoming sewing books I've seen in a while, but it is also organized, well-laid out, easy to use and instructive. It's a hit for me!
You can see some of the interior images and pre-order on her website!
I finished my lovely colourful dress earlier this week, and haven't had a chance to sew enough to finish anything else yet! But there is a lot of prep going on for the remainder of my summer sewing. I have one UFO project I am hoping to get to, a Charlie Caftan cut from a tablecloth.
And I have a couple of fabric/pattern matches to cut out and get working on -- I'm planning on a McCalls Josie from the purple batik print, and a Fringe Dress from the green and white leaf print (a duvet).
And then I'm also hoping to get some tracing done this weekend - I have this stack of Burda magazines with a top and three dress patterns I'd like to trace out, and also a couple of indie patterns I've downloaded recently.
Lots to keep me going, but I'll see how much I can get done by the end of the weekend. It's a lot but if I can do a little of each I will be happy, and it will keep me busy for another week! I have to sew up these summer dresses before summer is over...
I have had this wild linen print in my stash for a while - I was stalled on what to make from it. The print is so bold that I felt like I had to get just the right pattern. Plus I only had just over 2 m so I had to figure out how to use it most effectively.
I finally decided on a dress from a Burda magazine, #106 from the May 2021 issue. I've had this dress on my potentials list since this issue came out, and finally put the two together. In the magazine, it's quite a cottage core aesthetic, with lace trim. But I liked the lines of it, not too fussy in silhouette, and thought it would work nicely here.
I carefully cut the panels so that the print would be balanced horizontally. I didn't worry about matching, as the print is so frenetic it doesn't matter, but having it all on the same plane keeps it from looking like complete chaos. I made a couple of changes - I lengthened the skirt by an inch, lengthened the ties by 4 inches, and I added side seam pockets. I thought about patch pockets but decided that those might be too much of a pattern clash. The ties are sewn into the back panel seams and can be tied in the front or back if you prefer.
After prewashing this fabric twice, it's quite soft. It's also fairly light, too, so I will wear a slip with it - this dress does not lend itself to lining. I am pleased with the results. It highlights the fun print but having the long panel seams also helped to break up any unfortunate circular pattern placement. It's comfy and will be a fun outfit for days when I want to be noticeable!
I am liking dresses without a defined waistline, or one that's adaptable with ties, for days when I need different choices. Another outfit from the stash! I'm about to cut another dress soon ...using some of the fabulous fabric I've had waiting for me for a long time.
 |
| Gertie Sews Glam Knits / Gretchen Hirsch NY: Harry Abrams, c2026. 192 p. |
Then of course there are the patterns. There are six main patterns here, with pattern-hacking variations included to extend their potential. All patterns are available as pdf downloads, in sizes 2-20 and 18-34, A-H cups. You could really make a knit wardrobe with the patterns here, if you were so inclined. They include:
They all look lovely the way they've been presented here, on two body sizes. For my own wardrobe, I'd be most inclined to make the Pencil Skirt, particularly one of the variations that has a few draped tucks on the front. But this is a really informative read, as well as being visually engaging, as most of Gertie's books are. So it's just fun to look at even if you don't end up making anything! If you like vintage knits, this is one to get.
Now & again I do a bit of writing - and my sewing habits colour that, too 😉 Earlier this year, I had a poem published in an anthology with the theme "Canada is Our Poem". I thought I would share it here since some of you might appreciate it too! It's called 'Social Fabric'.
This is another UFO I've been working on -- it's Kwik Sew 1444, from the 80s, which I cut out in September 2025, from an extremely soft and supple yellow rayon that I thrifted around that time.
The defining feature of this blouse is the series of pleats on the front bodice -- which were hellish to get neatly done in this super shifty fabric! And I was confused by the pleat being on the inside, and only the seam on the outside; you are supposed to leave the centre of the pleats unstitched, I guess for volume, but I coudn't do that here as the fabric is so soft they just gaped weirdly. So I stitched them all fully down on the inside. After carefully marking and pressing, I was able to complete them. After that, most of the rest of the construction was pretty straightforward.
The button placket is a hidden placket, which can be tricky. But this time it wasn't bad - the way it is constructed with a double fold of sorts, it is easy to catch all the seams neatly where they are supposed to be. I chose some small gold buttons from my stash for the main buttons, but picked out a gold sunflower for the top button which is the only one visible. I don't usually mix gold and yellow like this but somehow it just worked and I knew I wanted to highlight that sunflower!
I didn't really make any sizing adjustments at all - I didn't shorten it, just followed all the pattern markings as is.
The fabric choice made this one a bit more difficult than the pattern itself suggests. If I was using a cotton it would have been easier to handle. But I wanted to try this because I just loved the feel of the fabric - although it needs re-ironing every time you move, it seems! I literally pressed it before taking photos & it already has wrinkly bits!
The other two views in this pattern are pretty 80s Dynasty, but the sleeveless one somehow feels contemporary.
I'm glad I gave it a go, and I do love the colour! The way that the fabric creases almost instantly makes it a little harder to wear spontaneously - this is one I'll have to plan ahead for and press beforehand. I can't say I love it - the colour is great & I really like the buttons. But I find the fabric a bit saggy & wrinkle-prone. Maybe when I style it & have it tucked with a nice outfit I will like it more. Very glad to have it done, though :)
 |
| Dopamine Dressmaking / Brogan Allard London: Quadrille, c2024. 191 p. |
I love dresses so really wanted to check out this book. And while the styles aren't necessarily things I would make for myself, I found this to be quite a good book. It's well structured -- with 15 projects: there are 8 dresses, with a variation for 7 of them. The size range runs 6 - 22, or B/W/H of 21/23.5/33.75 to 46.5/39/49.25.
The book starts out with an introduction to Brogan, some basic sewing info on sewing kit, fabrics and how to use the patterns in the book (all downloadable pdfs from the link in the book). Then it moves on to the projects. Each one has the initial pattern instructions, then a variation, then a technique tutorial on something that was involved in that project. Lots of learning opportunities here. The projects are all dresses:
The Party Dress, as the most elaborate, is the only one without a variation included. The others have a second view that is different enough to feel like a new dress idea. The instructions are pretty good, and there are tons of bright and colourful photos included in the book too. This would be a great project book for someone still fairly new to sewing, to help them stretch their skills and learn new techniques. I always enjoy seeing the Sewing Bee contestants again after their season, and I thought this book was a well thought out collection, even if aimed at quite a specific audience. Lots of colour, print, and pretty dresses - definitely a great dopamine hit just to look through it!
Otherwise I just have a few mending jobs and practical fixes to do in between the new projects - they always seem to fall to the wayside when I get excited about new things. So I hope to do those too. A busy sewing month but if I get 2 new things done I will be thrilled ;)
Sometimes my local Garment Guild has meetings that are more like outings! To close this season we had a tour of a fashion exhibit newly installed at Gallery Stratford.
Curator Jonathan Walford gave us a tour & it was so fun to hear the stories behind the French couture pieces in the show, from Worth to Courreges. There were some amazing pieces - Balmain, probable Balenciaga (the original), Karl Lagerfeld, a Dior, Jeanne Lanvin and much more. Even a gown by the Callot Soeurs! We all enjoyed it so much.
If you are going to be in Stratford before it closes on October 11, try to see it. The other 2 exhibits on are also fascinating - one on jewelry inspired by Canadian women, & one on historical photography. All so beautiful!
 |
| Inspired by Measha Brueggergosman |
