Friday, May 30, 2025

Literary Sewing Circle: A Project Roundup!


The deadline for sharing makes for this round of the 
Literary Sewing Circle (featuring All the Things We Leave Behind by Riel Nason) was last Friday, and so today I'm sharing a round-up of all the projects shared in various places online.

Over on PatternReview, there were a number of projects shared: 

DTSewingStories was inspired by the stream that Violet retreats to on her lunch hours, and the pebbles on the stream bed, with this great fabric and the Closet Core Kalle.


SewPerfect was inspired by a fabric in her stash that even had ghost deer on it and made a journal cover. She also wrote a haiku inspired by the book and transferred it to the project. Cool! 


VivianZ made the StyleArc Quinn Top, in natural tones of cotton to reflect the rural nature of the community in the book - and as a nod to the character Quinny, too! 

SewLSC decided to go with the Purple Barn as her inspo, making a New Look 6393 in a pale lilac. 


MsIngie made a pair of 70s vibe jeans from Simplicity 8701, reflecting something that Violet or Jill might have worn themselves. 


On Instagram we saw a couple also! 

Sarah (@sew.focused) decided on a Charlie Caftan in a nod to Violet's father Charles, and her own grandfather Charlie. And the fabric was purchased in Canada, the setting for the book :) 


Jan (@conlon.jan) was inspired by the cobalt glass and white shelves of the Rainbow Room to make this gloriously summery dress, a mash up of two patterns.


Laura (@laurasnowden5180) decided on the Lilac Mini Messenger Bag by Blue Calla as her project, referencing the lilac colour of the Purple Barn, and perhaps a little nod to the 70s in style as well! 


And of course my own! I was inspired first to make a Liesl& Co Terrace Dress in top length, using an upcycled tablecloth referencing both second-hand goods and the marigolds planted outside the Purple Barn.

And then I went ahead and made another, a blouse inspired by the Rainbow Room and all that coloured glass, using Simplicity 8964 from 1999. This was a fabric I've owned for ages and have been waiting to find the perfect project for. This was it!


If you made a project but didn't quite finish it by deadline, please share a link in the comments - we'd all love to see it! Hope you've all enjoyed this round of the Literary Sewing Circle. Keep your eye out for the next round sometime in Fall 2025. 



Tuesday, May 27, 2025

Rainbow Glass Print & a 90s Blouse: A Literary Sewing Circle Project

I finished my blouse! For my second Literary Sewing Project for this round, I was very taken with an image in the book in which our narrator Violet visits an estate for sale, and finds 'the Rainbow Room'

There is a section of greenish-yellow Vaseline glass, one of pink and green Depression glass, marigold carnival glass, cranberry glass, a group of old cobalt-blue poison and perfume bottles and sun-tinted amethyst glass. Then across the windows at the front of the cottage, the ones facing the water, there is a huge collection of ruby glass.

The cobalt and ruby of this description made me think about a cotton fabric I've had for a very long time. I decided that a crisp summer blouse would be a perfect use for this fabric, although I waffled over which pattern to use for quite a while! I wanted something sleek, without fussy details, to suit this cotton. 

Looking through my recently purchased vintage patterns, I found this Simplicity 8964 pattern (c.1999) with the perfect blouse. Very straight lines to work with my quilting weight fabric, and just the right size to be able to fit onto the amount of fabric I had as well. 


I had to make a few fitting changes, but not that many. I lengthened the body of the blouse by one inch, and removed the shoulder pad allowance (1/2") That means I took 1/2" out of the shoulder seam at the outer edge, and a 1/2" wedge from the shoulder to the armscye notches. I also trimmed down the sleeve cap very marginally, about 1/8" between notches. I also added some width to the sleeve as I don't like tight sleeves. 

The pattern went together very well, although I did try it on right after sewing in the darts and shoulder seams -- I'm not always fond of back bodice darts, they often don't work for me with my short back and larger hip, and this time I didn't like them either! I considered narrowing them, but decided to just remove them and then I tried it on again and liked it fine so just left the back undarted. This didn't affect anything else because the back is simply turned up and hemmed, to meet the front facing. But...I probably should have made a bit of a swayback adjustment. Oh well!

I searched through my extensive button stash but only found one set of navy buttons in the right size. They are subtle and they work, although I don't really love them. They'll do for now! 


In the end, I do like this pattern a lot. And I'm pleased to have found a use for this fabric as a garment. I've had it for a long time; I picked it up while thrifting because it was pretty but wondered if I'd just have to use it for a craft project. I like it made up into this blouse and it definitely makes me think of our shared read this round! 


Sunday, May 25, 2025

Weekend Review: The Wardrobe Department

 

The Wardrobe Department / Elaine Garvey
Edinburgh: Canongate, c2025.
231 p.


This is Elaine Garvey's debut novel, which I found serendipitously in my library's collection. It's the story of Mairead, a 22 yr old Irish woman who has left a suffocating home life to work at a small theatre in England. But the theatre isn't the dream life she was looking for - it's still just real life, a job with many attendant issues. 

She works in the wardrobe department, and the descriptions of the actual work are great - sewing up gloves, awkward fittings with actors they have crushes on, washing and pressing until all hours, sourcing stockings at sex shops for the cheapest options and so on. I loved this part of the book; it is so rare to find a book that goes into actual daily worklife, and manages to capture the every day nature of it, the way it makes up most of a life. And also the way that coworkers shape the day. Mairead works with two other young women, one posh and one more raucous and full of desire to live life. Their interactions are so realistic, and they help to shape Mairead's story. And her direct boss is tough but ultimately supportive. Some of the other characters are ones you'd like to throttle, though!

Mairead is awkward and introverted - she's not sure she fits in here but doesn't feel like she fits in at home either. But she still misses it and feels torn between two places. Then she has to go home for a funeral, and that part of the book is the real heart of the story. Her visit shows the reader the background for all the issues she's been having in London, her numbness, anxiety, constant worrying and so on. The family dynamics are finely drawn, between Mairead and her parents but also her wider family. There are some difficult moments in her life and that of her family that are hard to read about. 

But then there is a breakthrough in mother-daughter communication which shakes Mairead up, just as she is ready to board her plane back to London. And once there, she goes back to her daily round of work and home, but somehow her mother speaks through her in a key moment -- Mairead finds her steel -- and everything changes. Although much of the book has us following Mairead stuck in her life, the ending is hopeful, and I thought it ended on a high note. 

I really liked this one. If you enjoy slower paced character driven stories with a wonderful setting, you may also like it. Of course I also found the sewing content relatable and realistic, and appreciated the metaphors arising from stitching that appeared in other parts of the book.


And here's a nice interview with the author at the blog Word Herding, about her work in theatres and how it informed this book, if you want to learn more.

Friday, May 23, 2025

Literary Sewing Circle - Work in Progress!

Today is officially the last day for Literary Sewing Circle projects to be shared...but if you're like me and have something half done, please know it's still shareable until next Friday's round up post! 

I have a half done project I want to note as my next Literary Sewing Circle make. After my easy marigold tee, I thought of the inspiration of the Rainbow Room full of coloured glass that Violet finds at the old Vaughn estate as she is offered the chance to buy it. That image of colour and shimmering glass made me think of a fabric in my stash so I started a blouse. I was very, very busy this week so didn't get it done but will share the whole story and blouse next week! 

I just need to set in the sleeves and put the buttons on. Then it will be ready to go. Here's a sneak peek so far...




Tuesday, May 20, 2025

Thrifting Day!

It was just a long weekend here in Canada - we have a Victoria Day weekend, apparently we are the only country to still celebrate Victoria's birthday, not even the UK does! I guess we just like a holiday ;) 

In any case, not only did I get to do a bit of sewing room cleanup, and cut out a blouse over the weekend, I also did a bit of thrifting -- of course! I did my regular rounds and at my favourite shop (the one with the big craft section) I was able to find 3 beautiful solids. The pinkier red on the left and the blue are both a cotton/linen blend, I think, maybe some rayon? They are heavy and soft. The orangey red on the right is a stiffer linen, we'll see how it looks after I wash it. It may be a bit too orange toned for me, I'll decide later. I don't tend to buy solids but lately have come across a bunch all in my wardrobe tones at thrift stores so now I have a good stash of non-poly solids.


At another store I was fortunate enough to find a few of my favourite things -- patterns! One from the 90s and the two "Non-Stop Wardrobe" McCalls from the early 2000s. I love wardrobe patterns. Have one or two of those and you could sew up an entire capsule wardrobe. I actually feel like taking on a challenge to sew up every piece in a wardrobe pattern -- as long as the size range crosses both my upper and lower body sizes ;) I'm usually right at the break. But these are fun and I've already enjoyed just looking over each one.


Then I stopped in at Fabricland for a couple of basic notions, and went through the pattern discard rack. I ended up with a random Butterick Katherine Tilton top, and two Vogues that have been on my wishlist for a long time. Now I just need an occasion to sew up the Tom and Linda Platt dress for! 


My plan to sew down my stash this year is being thwarted by the amazing thrift fabrics I've been finding. But I am sure it will all balance itself out in the end. And I have some fabulous fabrics to draw from now. 

Sunday, May 18, 2025

Weekend Review: Folded Fabric Elegance

 

Folded Fabric Elegance / Rami Kim
Paducah, KY: AQS, 2007
95 p.

And my last fabric manipulation book of the month is Rami Kim's look at traditional Korean 'chopkey' fabric work, adapted to her modern American outlook. It's a beautiful book! The layout is very logical but also visually appealing, the techniques are interesting in themselves but also shown in many project examples. There are tons of photos both of the techniques and of the many outfits Kim has made using variations of folded fabric and embroidery - and that she won many awards for in Wearable Art categories in national guild competitions. 

The book starts by introducing 10 techniques. There are 4 traditional chopkey designs (folded squares), 3 North American smocking designs, prairie points, harlequin tucks and an ultrasuede pinwheel that could really be made from any non-fraying stable fabric. 

The second part of the book then follows this up with 12 projects ranging from wallhangings to purses and pillows. The projects are small enough for beginners to try without being overwhelmed, great practice to get to learn the various techniques. But as mentioned, there are also photos of the ambitious pieces Kim has made, to inspire the reader! 

My favourite technique - or maybe the one I'd be most likely to try out - is the one featured on the cover. Tucks that are then stitched in the opposite direction and embellished with beads appeal to me a lot -- I can see them in an art pieces or a garment panel. But then I love all kinds of tucks! 

The folded fabric ideas are also lovely and maybe I'll get to some of them as well. This book is fairly short but has so many ideas, and I liked the way it's laid out with a lot of colour photography for each technique and each project. The explanations are pretty clear though I think it might take a try or two to really get some of the folds down. But it's a great resource and I had a lot of fun perusing it. 

You can watch her sew up a Lightning Bug from this book over on youtube also! 



Friday, May 16, 2025

Terrace Top for the Literary Sewing Circle

I had a bunch of ideas for my project for the Literary Sewing Circle this round. I decided to make this quick one to start with.

I have made a few Terrace dresses by Liesl & Co and have always wanted to make a top version. I had this very soft vintage tablecloth in a bright yellow floral that reminded me of the marigolds that Violet and Bliss planted around the sign for the Purple Barn. So I decided to use it! 

I feel like it fits the book both because of the marigold link and because it's upcycled-- it looks like a 70s piece that could have been for sale at the Purple Barn! 

I cut this to a top length but otherwise just followed my regular process from the 3 previous Terraces I've made. However, I was sewing late at night so made a few rookie errors! I sewed it with a 5/8" seam allowance when it should have been 3/8" - but thankfully it still fits! I raised the neckline a bit so I could fit the entire flower in but I think it's a bit high. I may go back in and cut it down again, or I may not. 

Anyhow this is a bright Dopamine Dressing top that I'm going to enjoy wearing. The 70s vibe goes well with my jean skirt, too! 



Tuesday, May 13, 2025

"Vintage" 90s Sarong Dress in Rayon

My Spring project for Fabricville has arrived! I was excited about this one -- this "vintage" 90s McCalls 8501 was so appealing, and then I found the perfect fabric option. This is a beautiful rayon-nylon blend, in my favourite blue and yellow colourway. 

As part of being a Fabricville blogger, I can choose a pattern and fabric and only have to share it on their blog. But you know I'm going to tell you about it too! 

This is called a "3 Hour Pattern". I find that was a thing I saw often on patterns from the 80s & 90s -- overpromising to get people to buy a pattern ;) That's 3 hours of sewing time, not the careful cutting part. And probably only 3 hours if you're a quick sewist, as I am not. 

But it wasn't too complicated. A front, back and overlay, plus a little tie piece and a neck binding. I of course overcomplicated things by trying to add pockets! But I can't imagine a summer dress without any. It was a bit fiddly to figure out where to attach the pocket bags, somehow that overlay confused me a bit. But it was worth the time.

This fabric is 90% rayon, 10% nylon, and that makes the hand a little different; it's not a challis, it's easier to handle than that. And I really like the way it drapes, too. The front has an overlay that is sewn into the side seam and then ties at the side with another little tie that you sew into the opposite side. Quite secure. 

The changes I made to the pattern:

  • Shortened the body above the waist by 3/4"
  • Lengthened the bottom hem by 1" (a bit tricky with those curves)
  • Added side seam pockets

Isn't it strange to call something from the 90s vintage? I don't feel like it was that long ago. Maybe if you lived through the era, it's not vintage to you! In any case, this is a light summer dress that I know I'll wear this year, vintage or not :)


Sunday, May 11, 2025

Weekend Review: Tucked Up in Bed

 

Tucked Up in Bed / Jennie Rayment
Haslemere, Surrey, UK: J.R. Publications, c1997.
112 p.

As promised, here is the third book in the set of titles by Jennie Rayment that I now own! This third volume features both new and repeated designs for fabric manipulation, all designed as 12" quilt blocks so that you can put them together into a project as desired. There is also discussion of layouts, borders, and more practical quilting info to make the best sampler you can.  

As usual, the "nipping and tucking", as she likes to call it, creates intriguing shapes and patterns. All of them are described well, with good instructions for each. She refers back to things from the first two books as well, so it's nice to have them all, but you wouldn't absolutely need them. She gives examples of the techniques in muslin for clear viewing, but there are also lots of colour plates showing the quilt blocks made up in colours and prints. Fabric choice really makes a difference to the final piece! 

The tone remains light-hearted, with amusing anecdotes sprinkled in - she really does have a sense of humour and ability to poke fun at herself. This one is more traditional in the sense that it focuses on quilt projects and home goods more than any garment design, so it's not as much of a must-have for me personally as the first two. It is more about putting things together than creating brand-new manipulations. 

I enjoy the retro feel of these books, however, alongside the really interesting fabric work. The DIY feel and personal voice of the writer really add to the entertainment value. Worth checking out if you ever come across it! 



Friday, May 9, 2025

Literary Sewing Circle: Book Talk and Wrap Up!

 


Today is already our final day of the Literary Sewing Circle focusing on Riel Nason's All The Things We Leave Behind!

I hope you've had the chance to read the book, and both the first and second inspiration posts, and are getting lots of ideas for a project of your own.

This is our final and roundup post. Share links to your projects here: as soon as you are done your project, just pop a link to your post into the comments and we will all be able to visit your blog/instagram etc. and explore your creation -- remember, it can be sewn, or knitted, crocheted, embroidered... any textile art that you practice. Or you can just tag me, @sewmelwyk on IG and use #LiterarySewingCircle as a hashtag



We've discussed our reading in our first book talk post, and discovered more about the author and this book in the author interview post. You can add any additional thoughts now that you've finished the book and seen those posts too. 

Here are a few more questions to ponder -- and add any of your own to the comments too! 

How did you feel the sibling relationship was portrayed? Why do you think the author made the choice to have the parents absent for much of the story? Did you think any of the side characters were particularly important to your experience of this novel? How did the setting and the description of the landscapes affect your opinions of the book? Was there any moment that felt especially powerful or memorable for you? Anything that resonated strongly? 


Please share your thoughts on the book, its themes, characters, or anything you noted about it -- either in the comments here or on your own blog with a link to your longer thoughts in the comments so we can find it. I love to talk about the experience of reading so feel free to comment no matter when you're reading this post; if you've read this I'd love to hear about it!



Tuesday, May 6, 2025

May Sewing Plans

 


May is here! I have sewing plans, of course -- it's the Most Wonderful Time of the Year for Sewists, that is, it's MeMadeMay!


I didn't get an official pledge posted but I always love following along and seeing what people are making and wearing. I stock up on inspo for the whole year in May. This year I saw a couple of pledges that were essentially to enjoy and not limit any fabric, pattern, or sewing choices in our most loved hobby. That really struck me. We don't need to police ourselves and act like our sewing is something to limit -- it's our joy, our happy place, and we don't need to apologize for that. I already have enough me-mades in my closet to be able to wear multiple combos every day, so building a wardrobe isn't what I need right now, but I do pledge to enjoy it and not to stop sewing because I feel like I don't "Need" something. 

However, there is also a contest going on over at PatternReview this month (and all of June) to Sew Your Fabric Stash. Any patterns, just use some of that fabulous fabric you've owned for more than 6 months so it doesn't languish. I've owned a lot of fabric for a lot longer than 6 months...so I am also going to be trying to shop my stash this month and bring out some of those amazing pieces I bought so I can sew them up and share them in the world! 

As for specifics this month, I still want to get to that Hinterland muslin I intended to make last month


I also have a Fabricville blogger project I need to finish, and then I want to get to my own project for the Literary Sewing Circle. I found an amazing fabric in my deep stash that is perfect for an LSC project so I'm excited to get started on that!

If I somehow find the time and the sewjo to make anything more than that, I have a couple of 80s vibe oversized shirts that I really want to make for this summer. Fingers crossed I will get more done this month than I have over the last few ;) 

It's going to be a busy month for me in my real life so I am hoping by writing these goals out I will get some of them accomplished. Will I? I'll have to report back next month!

Sunday, May 4, 2025

Weekend Review: Tucks & Textures Two

 

Tucks & Textures Two / Jennie Rayment
Haslemere, Surrey, UK: J.R. Publications, c1997.
112 p.


I mentioned that I recently picked up this book at a second-hand shop, along with another in the same series. I first encountered one of her books on fabric manipulation a while back and really enjoyed it. So I was thrilled to pick this one up to add to my collection. It was self-published a few decades ago, though, and is out of print -- but I think many of the techniques can be found in some of the newer books on her website these days as well as in some of her classes.

But I enjoyed this one! Rayment writes with humour and makes everything seem approachable and interesting, while also creating high quality results. Her pieces look intricate and complex, but the instructions spark your curiosity and reduce anxiety about being able to try something yourself. 

This book continues on with fabric manipulation techniques, like the first book, even referencing some of the instructions from the first in a few projects (so you'd really want to have both). But there are new ideas and additions too. In this book she includes ideas for more 3D work like sculpted spheres - pure art and decoration. And she also goes into making fabric landscapes as well -- little art pieces, made with various tucks and pleats, from hand dyed fabrics (there is also a chapter on small batch dyeing in the microwave). These are pretty pieces, and she gives workshops on this now, according to her website -- you can watch a "taster video" about her textured landscapes to get an idea about them.

And there is a lot more focus on Useful Things in this volume too. Bags, baskets, even hats are created. Whether textured pieces are inserted into plainer fabrics or the fabric is twisted and folded to make things, they are all intriguing! There are colour plates inserted to show examples of some of the designs and projects, and while they can be a bit dated at times in colour and print choices, the concepts are evergreen. I was really inspired by this one! Check out her youtube channel for some examples of her 3D boxes, fabric weaving or tucks - and much more.

I'll be sharing my thoughts on book 3 next week, but until then, I hope you will explore some of her techniques as shared in this book and on her website and youtube channel. Really inspiring!
 

Friday, May 2, 2025

Literary Sewing Circle: More Inspiration!

 


It's time for more inspiration for our sewing projects drawn from All the Things We Leave Behind! This week I'll be looking at some of the imagery and the outfits mentioned in the book to spark some ideas for our own sewing. 

I found this book rich in imagery, and any of those fleeting mentions could spark a project. From the opening of the book, when Violet says "I've seen the Saint John River, its surface sparkling in the sun like a disco ball as it flows merrily alongside the highway", there are so many images of nature, her surroundings, and memories. 

You might want to take on a Saint John River inspired project literally, by using the River Dress by Beaton Linen for a mellow outfit that fits right in with the greenery


Or you could take a crack at the River Dress by Caroline Hundsholt - it offers some amazing opportunities for artistic fabric choices. Maybe even something shimmery mixed in there.


Or maybe just think about the River Tunic by Diane Ericson for a zero-waste project that's quite flowy.


You might even want to try one of these in a shimmery disco ball fabric like this one on Etsy if you are feeling particularly adventurous! 



Of course you might be more inspired by the description of The Purple Barn. "An enormous rectangle, a hundred-foot-long barn, painted purple. Really it's lilac or mauve, a rich purple softened a bit, like with a good dollop of white stirred in."

You could try making the Frenchglen Barn Jacket by Green Pepper Patterns (maybe in a shade of purple?)


Or maybe the Purple Top/Dress by JoliLab (known as Violette in French). It has pretty options!


Or in a nod to the description of the Purple Barn, you might try the low waste Mauve Skirt by EcoJolie. 


Or perhaps the Lilac Blouse by LysimaqueSew on Etsy - pretty sleeves, maybe a bit of a 70s vibe going on to suit the book.  

Or accessorize with the super cute Lilac Mini Messenger Bag, a free pattern by Blue Calla Patterns. 


Then there is another floral motif to consider, when Violet talks about the quirky signage for the Purple Barn. "There's a flower garden at the base of the giant sign. Pink rose bushes are surrounded by a wide ring of bright yellow marigolds and big rocks painted white."

Maybe make a Rose button-down blouse by Jalie in a nod to this -- or the Marigold by Blank Slate Patterns



Marigold

Although you might find the 70s feel more with the Marigold Dress by StitchMaiden, or the free Marigold camisole by Mood. 


Mood Marigold Cami

A very striking image is that of the Rainbow Room in the old Vaughn estate, described when Violet first encounters the sunroom filled with coloured glass antiques. "There is a section of greenish-yellow Vaseline glass, one of pink and green Depression glass, marigold carnival glass, cranberry glass, a group of old cobalt-blue poison and perfume bottles and sun-tinted amethyst glass. Then across the windows at the front of the cottage, the ones facing the water, there is a huge collection of ruby glass."

You might be inspired by the colours to make the Cobalt Trousers by Caledonia Dreamin' -- there is even a bell bottom version there for a nod to the 70s setting of this book. 


Or perhaps you'll try the Amethyst Top & Dress by Boo and Lu instead



Maybe something 30s inspired in pink or green to match that Depression glass, maybe one of many from EvaDress patterns


Or it could be that wall of ruby glass that perks you up... 



Or maybe the Ruby Dress by Dressmaking Amore for a more fitted look! 


Or you might just reflect this image in your fabric choice, like this one found at SewingPartsOnline 



Then there are the many antiques in the book. Maybe they will inspire you to make something vintage, whether that's in a fabric print or a specific antique that's mentioned by name, like the poodles that one customer loves: "Mrs. Harris is in checking if we have any new spaghetti poodles. She collects them. They're little department store china trinkets with "fur" that resembles miniature pottery spaghetti noodles."

The obvious make for this one is a classic Poodle Skirt. Here's a quick video tutorial to draft your own, with MADE Everyday. 


Or if you are more inspired by the pottery spaghetti noodle fur, try this
Spaghetti Dream Frock by Lydia Naomi


Or perhaps it is a simple dish that catches you! 
"A customer comes to the counter...carrying a pressed glass butter dish, carefully holding it in front of her with both hands...The woman sets the dish down on the counter and traces a finger over one of the maple leaves in the pattern."

You could find the Maple Dress by CocoWawa Crafts and make something inspired by that lovely antique. 


Or maybe combine it with the plethora of quilting in this story and try out the 
Maple Charm Quilt Pattern from Coriander Quilts on Etsy.


And speaking of quilts, perhaps all the quilts by Quinny in this story will spur you on to make a quilted garment! You could get your hands on Sewing Quilted Patchwork Jackets, the new book by Fit for Art Patterns, which includes 10 projects and two base patterns for you to make a fun quilted garment for yourself or a child. 


Or you could investigate any of these Top 10 Quilted Jacket patterns shared by The Fold Line! 


Maybe it will be the Seven Birches Campground where Violet and Jill are staying that inspires you - try the Birch Unisex Tee by Samantha Marie Designs

Or have fun with the Christmas in July events at the campground by putting together this felt garland by Lia Griffith! This is a dual inspo referencing the pop tab garlands at the Snack Stop! 


You might find Violet and Bliss' childhood scrapbook full of license plate rubbings interesting and be inspired to make this Wristlet by Sue OVery


Or you might be more inspired by the historical village where Jill works, to make some retro clothing. When Violet goes to help serve at a wedding there, she says she throws off her day wear (and blue eyeshadow) -- "I get all ready: slip, bustle, full-length burgundy skirt, a pink calico blouse with a high neck and puff  sleeves." 

That could be something like this Edwardian Skirt by Black Snail Patterns


And that could be combined with the Antoinette Shirt by Isa in Stitches (also a modern look!)


Or the Regalia Blouse by Sew House Seven, also a popular modern blouse that could fit nicely into historical wear!



I hope that you have both been inspired by this post, and are enjoying the reading. Please share any inspiration you might be thinking of for your own project! 

And also, please share any quotes from the book that have jumped out at you so far, and thoughts about which parts have really caught you. Any striking images, characters, moments, settings?